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In a discontent kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him...
In a discontent kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him...
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Description-
In a discontent kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Three orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point — he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.
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In Volume One of the Ascendance Trilogy, Charlie McWade enacts the sometimes brutal transformation of Sage from roast-stealing teen orphan to prince and ruler of Carthya. McWade's haughty tones for the ambitious regent Bevin Conner, who grooms the young orphan, contrast well with his thuggish portrayal of Conner's creepy underling and with his depiction of the working-class Mrs. Trubeldy, of the orphanage. But when Sage is told to drop his foreign accent and sound like Carthian royalty, McWade's one example is not cohesive, nor does his voice transform with his role. In endeavoring to evoke villainy, he has another regent sounding more like a foreign foe than a longtime royal. Despite these inconsistencies, McWade's pacing and storytelling are strong and leave listeners awaiting the young king's next adventures--which are hinted at in an ebullient author interview. D.P.D. © AudioFile 2012, Portland, Maine
